Off the Mainline canal &
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Tony Lewery is a well known waterways author, a regular contributor to the waterways press and acknowledged expert on canal art and heritage. Over the past five years he has been contributing these (fairly) regular monthly features exclusively to Canal Junction, taking a personal and thought provoking angle on a wide range of current waterways topics and events. All his articles are accompanied by his own original photographs or artwork.


Powisland Museum on the isolated Montgomery Canal.

Volunteering. Why do we do it? We undoubtedly get some fun and satisfaction along the way but underlying these personal benefits is the understanding that if we didn’t do it, it probably wouldn’t get done, and the world would be a poorer place. More this way»

June 2008

By a happy coincidence of interests I was recently asked to paint a pub sign. I have always been interested in the subject and find it a deeply satisfying tradition if strangely odd and strangely British, a leftover from the days before street numbering. More this way»

May 2008

The job was to tow the restored Shropshire Union narrow boat Saturn from her winter mooring to the historic boat gathering at Ellesmere Port for Easter, and then return home to Ellesmere proper with the Canal Junction tug Greenman. More this way»

April 2008

Tony remembers Joe Skinner ... "a symbol of something so special about the canals that I think we could do with being reminded yet again of this iconic man and the vanished world that he came to represent. " More this way»

March 2008

A painting of a canalside cottage on the Llangollen Canal was painted in 1888 but the cottage is still there a hundred and twenty years later and is still virtually the same – un-modernised, un-extended, and from a historical viewpoint almost unspoilt.  More this way»

February 2008

With the leaves off the trees and the ground vegetation at its lowest it is far easier to see the bare bones of canal engineering in the winter, the artificiality of its structure which is disguised in the summer by two hundred years worth of vegetation.  More this way»

January 2008

Tony has been revisiting his 'adolescent ambition to be a painter of the old fashioned sort, an artist painting landscapes and portraits in oils and watercolours' and was led to wonder why canal scenes make such good landscape subjects. Surely not just coincidence? More this way»

December 2007

The isolated Welshpool section of the Montgomery Canal sees very little boat traffic. Although restoration is moving south from Maesbury it will be a while before this beautiful stretch is on every hire boater's route like the nearby Llangollen. Tony enjoys it now! More this way»

November 2007

“Right” said Ian “I’ve booked the sailing barge for the end of August. The only unexpected problem is that we will have to take part in the River Colne Thames barge race over that weekend, is that O.K?”   More this way»

October 2007

Off the Mainline Archive We have tried to sort these previous 'Off the Mainlines' into categories but it just can't be done! So we've left them all here for you to dip into. There is a lot of stimulating reading and many fascinating photographs buried here, enjoy!
I have been given an old cabin door - a very tatty cabin door it has to be said, but one that pleases my soul more than it has any logical right to. A visit to Venice and a trip along the central waterway is 'a startling eyeopener to an English canal enthusiast.'
A new magazine and a new exhibition could be signs of Springtime regeneration on the canal heritage front, but will they be successful? Why canal castles? Why are they painted on canal boats and why is it so important that they should be painted on boats anyway?
A canal without boats and boats out of water – is this a good way to preserve and interpret waterway history? Tony suggest it could be. Tony doesn't really want to reveal the 'quite extraordinary qualities of an old Shropshire Union waterways maintenance yard'.
Maybe the best way to preserve an old wooden barge is to pull it up on land, cut a hole in the hull side and let visitors wander through it; better than letting boats rot in the water for shortage of funds suggests Tony. A unique Arun barge sunk at Ellesmere Port in Cheshire is probably doomed because the Museum has no money to restore her.
Tony rediscovers a forgotten pair of narrowboats which still have original decoration done by Harry Bentley, a potteries boatman, and were built by an ex-boatman called John Preston who worked as a mechanic at the Anderton Company dock. The Shropshire Flyboat restoration is nearing completion and we are about to present Saturn to a twenty-first century public as a statement about how we think things were a hundred years ago. Have we got it right, do we even know what colour she should be?
The Montgomery Canal continues to amaze me. Yes, I realise that I am becoming uncomfortably obsessive about it, but its survival, conservation and future development potential just seems to sum up so many philosophical canal problems all in one place. The heritage and skills invested in a friendly footpath gate by a bridge on the Montgomery Canal lead Tony to consider whether we should allow that much craftsman’s time to be re-invested in a simple gate again.
Canal restorations. 'We now know what it will be like, what British Waterways would like it to be like, and what the commercial mind of the hire boat and pleasure boat business will say it has to be like to get their commercial return.' Houseboats continued - 'If you want to live on the canal without spoiling it then be prepared to live within the canal conventions.' Are houseboats a blot on the canal landscape?
Houseboats. Now, be honest, what is your instant reaction to the word? Delight? Distaste? My own subliminal response is certainly a rosy glow of romance... Canal life 'was a historical traditional way of life being lived on a network of secret water roads, still doing real work'. Tony ponders what has lost to the 'new commercialism'.
So when was this written? “Canal boats and canals we suspect are going fast out of use, and will very shortly give place entirely to railways... ". You might be surprised! Where can you go on our increasingly busy canal system and get anything like an accurate flavour of a piece of canal in proper working trim.. ? Tony has a suggestion!
Tony returns from his Summer travels to the South West with tales of horse boat trips on the Grand Western and the last surviving Bude tub boat, back in the mud after 34 years! Tony ponders the New Waterway Art - '... add-on art that seems to be being blue-tacked on to the canals in an attempt to broaden their appeal and make them more like urban parks'
Colours of the Cut’ appeared in the inside back cover of the monthly magazine Waterways World from 1987 to 1994. Now there's a new book on its way. We all like the ‘picturesque’, but do we all agree what it means? Tony reflects that part of the problem is that it is so dependant on the time it is written, or is written about.
Tony decides that the time has come to admit to the world that he 'harbours a guilty secret gnawing away at my vitals'. Details this way! Does a breakers yard beckon for the veteran twin screw steam tug Daniel Adamson, commissioned originally for the Shropshire Union Canal Company in 1903?
Traditional canal skills are disappearing. What were the day-to-day craft skills; how do you sheet up a narrowboat, run a canal stable, rig a Joey boat mast ...? Sight Seen Partnerships are trying to video the past before even the memories have faded away. The act of digging out preserved evidence means that nobody else will ever be able to interpret it afresh, any time in the future. We’ve only got one chance to get it right. Oh Lord, what a responsibility!
Our waterways have lost a great champion recently with the death of Edward Paget-Tomlinson, author, artist, museum curator and painstaking historian - and that’s just the start! Just what gets us hooked on boats and canals? For Tony it was a sandbarge in Shoreham harbour,  'Now this did have it all for me - boats, romance and mystery, like something out of a Famous Five book.'
How quickly the everyday needs of a working canal become obscure ancient history in an age of leisure and pleasure boats. Who knows what is an icebreaker? Horseboating today takes three people person to make sure other towpath users don't get hurt. How far should we go to make canals risk free?
Saturn, the last Shropshire Union flyboat, no longer exists except as a pile of old knees, a set of measurements and a very big pile of firewood. Is this restoration? The Waterways Trust has now hit financial trouble. Costs must be cut and money saved, and the first target for cost cutting has been the waterways museums of course. Can we trust the Trust?
Strapping posts, do we need them on modern canals? And if British Waterways started putting them back, would we know what to do with them, and would they know where to put them? The traditional art of the boats, that special unique culture of the boatpeople, was quite suddenly stolen by the holiday boat business and became a staple ingredient of a souvenir industry.
Telford spanned valleys and housed lock-keepers with it, Sister Mary delivered babies with it, Ken Keay caulked coal boats with it... What is it? Tony poses a Spring Riddle! A sticky quagmire became a swamp, a quarry & a mudpool in turns but after a couple of hours heavy digging by a relay of strong persistent men the remains of a beautiful boat emerge.
But what is it about boats that makes them so eternally fascinating, whether big barges, wooden narrow boats, plastic dinghies or tiny toy boats? Recreating the traditional sounds of the canals; not the slow thump of diesel engines but the click of horses hooves, the creak of harness and the crack of the smacking whip.
A soon to be restored wooden narrowboat travels a hopefully soon to be restored waterway, promising signs that old attitudes are gone. Tony goes film making in Birmingham this month, focussing on the precise techniques of sidecloths, topcloths, tippet and topstrings!
Decorating a working boat with 'roses & castles' recently, Tony found that few modern canal users even noticed, maybe they don't want canal history. Heritage. We can’t pick and choose our own heritage, but we do alter the future by deciding what there will be for our future heirs to inherit.
Hunting for money to preserve historic wooden boats, and heaving tons of oak into the boatyard where in 3 years it will be ready to use. We need to keep a representative number of historic horse-boats in existence and mobile because they provide the best possible simple ‘heritage’ check!
There’s a maintenance backlog but must it take 3 months winter closure to do what used to be done in one summer week, especially when it restricts trade? When the first seriously hard frosts of the winter hit the River Weaver in Cheshire it revealed the dignified remnants of many old working boat wrecks.
How did Symbol, the last surviving wooden narrow boat to be built in Wales come to such a state of dangerous collapse that it had to be destroyed? The September Gathering of Boats at the Black Country Museum is a major events for traditional narrowboats and boaters. Tony Lewery reports back.
A fully restored wooden narrowboat was launched in Runcorn while the unique wooden boatyard was being demolished around it.    


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